Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Anke Becker, Karen Schiff
Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Karen Schiff, Anke Becker, Heidi Neilson, Karen Schiff, Anke Becker
Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Heidi Neilson, Karen Schiff, Anke Becker
Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Karen Schiff, Anke Becker
Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Enrico Gomez, Heidi Neilson, Enrico Gomez, Karen Schiff
Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Enrico Gomez, Heidi Neilson, Enrico Gomez
Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Enrico Gomez, Karen Schiff
Karen Schiff, Dots Connecting (Nancy Drew), study, 2015
Latex paint & silk on book pages
7 1/4 x 31 3/4 inches
Anke Becker, Mein Kapital No. 29 & 15, 2014
Indian ink on book pages of Karl Marx' "Das Kapital"
7.87 x 11.22 inches / 20 x 28.5 cm
Heidi Neilson (l. to r.) Miranda rights verso, Let me not to the marriage of true minds, Since brass, nor stone, nor boundless sea
2006
Intaglio print
Karen Schiff (l. to r.) Oo (Ghost Shape), +x (Interlineal Ghosts), Xo (Aporia)
2015
Ink & graphite on stamp album paper
Heidi Neilson, Typography of the Period: A Brief Introduction
2003
Laser printed, handbound. Edition of 100