Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Anke Becker, Karen Schiff

Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Karen Schiff, Anke Becker, Heidi Neilson, Karen Schiff, Anke Becker

Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Heidi Neilson, Karen Schiff, Anke Becker

Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Karen Schiff, Anke Becker

Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Enrico Gomez, Heidi Neilson, Enrico Gomez, Karen Schiff

Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Enrico Gomez, Heidi Neilson, Enrico Gomez

Installation view of Type of Abstraction, Key Projects, May 9 - May 24, 2015. (l.to r.) Enrico Gomez, Karen Schiff

Karen Schiff, Dots Connecting (Nancy Drew), study, 2015

Anke Becker, Mein Kapital No. 29 & 15, 2014

Heidi Neilson (l. to r.) Miranda rights verso, Let me not to the marriage of true minds, Since brass, nor stone, nor boundless sea

Karen Schiff (l. to r.) Oo (Ghost Shape), +x (Interlineal Ghosts), Xo (Aporia)

Heidi Neilson, Typography of the Period: A Brief Introduction